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Artist Talk : Bruton Correspondence School

25th March 2021 @ 13:00 - 14:00

Virtual Activity Virtual Activity

As part of the Correspondence Collective Restriction Exhibiton, this is the first in a series of Artist Talks, exploring the lives and practice of artists who use mail art within their work.

The Bruton Correspondence School

The Bruton Correspondence School is a [slow] mail art exchange project established by Chris Roberts and Rebecca McClelland, partly in response to the impact of the worldwide lockdown and their attempt to connect with a wider audience on the most basic and meditative level.

Artists, designers, photographers and other practitioners are invited to engage in an exchange of ideas and collaborate on miniature artworks through a mail art project inspired by the great Ray Johnson.

During this talk we will be learning about the inspiration behind the @brutoncorrespondenceschool, its success as an artist network and its international reach, as well as how it has been developing during the pandemic by keeping artists making during lockdown.

Update since the talk was recorded:

From 24th July – 25th September, 2021, Bruton Correspondence School presents I DIDN’T LICK IT, its first major exhibition of three hundred artworks made in collaboration with their new correspondence school between March 2020 – June 2021. Find out more by visting @brutoncorrespondenceschool

Ray Johnson

If you don’t know much about Ray Johnson, this excellent documentary details the life and a times of this elusive artist and is well worth a watch:

The Correspondence Collective

The Correspondence Collective started as an idea from a postcard-exchange took place between between two artists at the start of lockdown in March 2020; as a way of staying in touch and acknowledging the joy of receiving items in the post.

This swiftly evolved into a growing collection of postal art collaborations. After a couple of months we invited fellow artists to join this creative conversation and so the ‘Correspondence Collective‘ was formed.

Their aim is to keep this growing group of creatives, both local and global, connected through mail art, exhibitions, podcasts and workshops, with the Open call for miniature pieces of artwork inspired by ‘Restriction’ being its first.

The project is led by artist Amanda Lynch in partnership with Clayhill Arts, Somerset and has been funded by Arts Council England

We have a fantastic accommodation offer onsite, and would recommend staying here for the fully immersive Clayhill experience. All our accommodation is reserved for the students for the duration of the course and you will have a bedroom of your own. Our rooms have been converted from a series of old cattle sheds and from an old milking parlour and retain characterful features such as exposed wooden roof timbers and stone walls. Each bedroom has its own tea and coffee making facilities and outdoor seating area.

We also have an onsite laundry should you need to use these facilities during your stay with us. WIFI is available throughout the complex, heating and hot water is supplied by biomass technology, electricity by solar technology and all of the water around the site is fed by a natural spring.

Accommodation is offered at £80/night. If you would like to make your stay here more comfortable, you can also buy single additional nights before or after the course. (Please note any additional nights will not be catered, we are happy to recommend some local places to eat).

All courses at Clayhill Arts are fully catered, and our locally-sourced food is included in the price of your course ticket. If you do choose to stay with us a bespoke evening meal as well as breakfast and lunch will also be provided. To read more about our food offering, follow this link. About our catering

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TESTIMONIALS

Working with Deborah and Michael was such a pleasure. They understood the project from the beginning, what the needs of the makers and our audiences would be, and acted as thoughtful ambassadors for the project when we were not able to be there. Every aspect of the exhibition and events was facilitated in such a calm and confident manner, which made my job of coordinating a group of artists so much easier! The whole event became a pivotal moment for the project, bringing people together in a way I could never have anticipated, and which has altered my thinking about the future of the project. Thank you for making us feel so welcome.

MELODY  VAUGHAN

The weekend I spent at Clayhill Arts was a very welcome change of scenery to my otherwise urban setting. I felt calmed yet invigorated by the surroundings, and the accommodation was beautifully tasteful and very homely. The main space is wonderfully considered and very versatile - an ideal space for creativity and dynamic discussion. I left on the Sunday feeling energised and inspired by the experience of staying at Clayhill.

RACHEL JONES-JONES

As a singer it has been one of the best spaces to sing in with generous reverberation and acoustics.  It is a space which complemented the type of instruments I was working with and the songs.

AMANDA BOYD

I just wanted to say how much I enjoyed being at your venue. It is a lovely and inspiring artistic space. The food was fantastic, homely yet unusual. I really enjoyed the day.

RACHEL CLARKE

As an artist retreat, the venue at Clayhill Arts provided a warm and welcoming environment, allowing a safe and constructive space where individuals creative needs can be met. 

ANNA BEST

We were lucky enough to be able to take over the whole venue for a weekend, using the Granary as our base for experimentation, discussion and shared learning. The informality of the accommodation, and the relaxed surroundings, put everyone at ease and offered a space where cooperation and encouragement evolved naturally.

MELODY VAUGHAN

Everything was wonderful! This is a beautiful place. Thank you, we really enjoyed our stay.

ANGIE LANDRUM

Clayhill feels remote which is great but it also is close to Cannington which has everything, so supplies can be bought without travelling a great distance...I also really enjoyed that it is still a working farm, because it feels productive and there is such a lot of life around us which is very inspiring

AMANDA BOYD

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